This course, which combines mixing lessons, experimental recordings and the production of a personal 3D sound project, aims to explore the different practical approaches to multichannel sound recording and 3D sound. Students acquire a mastery of sound recording and mixing post-production techniques with an object-oriented approach.

This course, which includes theory, tutorials and practical work, aims to help students understand the technical principles used in the sound professions. Students acquire the vocabulary, methods, concepts and rules of the art specific to the audio and audiovisual world, as well as the ability to interact with the various specialities. This preparation for professional practice aims to give students the autonomy to choose optimal technical solutions, install, check and calibrate them, and use them rationally and efficiently.

The aim of the course is to impart all the theoretical and practical knowledge required for immersive audio production.

This course provides the theoretical, analytical, aesthetic and practical fundamentals of any classical music recording project. The course illustrates the issues involved in the artistic direction of a recording, through the choice of takes and the construction of an edit.

In years 3 and 4, numerous days devoted to orchestral sound recording as part of Conservatoire partnerships and productions enable students to master the various aspects of sound recording as part of an acoustic musical project. Through these experiences, they acquire method and confidence in the choice and implementation of sound recording devices, in line with both artistic and technical issues.