This class offers a specific approach to improvisation for organists, in line with the French tradition of organ improvisation. Drawing on a wide range of experiences - collective improvisation, free improvisation, improvisation on a theme, improvisation based on given elements, or improvisation in relation to silent films, theatre, dance, circus, electronics, etc. - instrumentalists acquire a freedom of play and a capacity for invention in a wide range of styles. Rhythmic, harmonic and melodic forms and languages of the past are studied and practised in depth. At the same time, cross-disciplinary projects and public sessions with guest artists provide the class with an eminently contemporary approach, echoing a wide variety of aesthetics and expressions.

This class offers a specific approach to improvisation for organists, in line with the French tradition of organ improvisation. Drawing on a wide range of experiences - collective improvisation, free improvisation, improvisation on a theme, improvisation based on given elements, or improvisation in relation to silent films, theatre, dance, circus, electronics, etc. - instrumentalists acquire a freedom of play and a capacity for invention in a wide range of styles. Rhythmic, harmonic and melodic forms and languages of the past are studied and practised in depth. At the same time, cross-disciplinary projects and public sessions with guest artists provide the class with an eminently contemporary approach, echoing a wide variety of aesthetics and expressions.

Through exploration of the instrument's repertoire, historical perspective and in-depth technical work, this course aims to develop mastery of the instrument and a critical approach to interpretation. Particular attention is paid to listening to one's body, in order to prevent the aches and pains associated with playing the instrument. The face-to-face teaching approach allows for personalised learning, helping each student to reach his or her full potential.