The aim of this course is to acquire a detailed understanding of the tonal system through harmonisation and arrangement techniques, as well as a solid grasp of musical aesthetics, more specifically those of Bach, Mozart, Schumann and Fauré.

Through a series of analyses of works and weekly writing assignments such as the production of chorales, contrapuntal basses, classical and romantic melodies for string quartet or solo piano, the composition of two-part inventions, minuets and free pieces, students will develop their inner hearing, their perception of form and their imagination.

At the same time, part of the year is devoted to considering the wider resonance of tonal harmony in contemporary music, film and different styles of popular music.

By reading scientific and technological documentation, students learn about current international research. As well as helping them to understand technical English, this regular practice also gives them an opportunity to reflect on the sound professions. Every year, students attend conferences and workshops at the AES congress, and meet international researchers and professionals.