This class offers a specific approach to improvisation for organists, in line with the French tradition of organ improvisation. Drawing on a wide range of experiences - collective improvisation, free improvisation, improvisation on a theme, improvisation based on given elements, or improvisation in relation to silent films, theatre, dance, circus, electronics, etc. - instrumentalists acquire a freedom of play and a capacity for invention in a wide range of styles. Rhythmic, harmonic and melodic forms and languages of the past are studied and practised in depth. At the same time, cross-disciplinary projects and public sessions with guest artists provide the class with an eminently contemporary approach, echoing a wide variety of aesthetics and expressions.

This class offers a specific approach to improvisation for organists, in line with the French tradition of organ improvisation. Drawing on a wide range of experiences - collective improvisation, free improvisation, improvisation on a theme, improvisation based on given elements, or improvisation in relation to silent films, theatre, dance, circus, electronics, etc. - instrumentalists acquire a freedom of play and a capacity for invention in a wide range of styles. Rhythmic, harmonic and melodic forms and languages of the past are studied and practised in depth. At the same time, cross-disciplinary projects and public sessions with guest artists provide the class with an eminently contemporary approach, echoing a wide variety of aesthetics and expressions.

The only one of its kind, the keyboard improvisation course is the fruit of a centuries-old history.

The only one of its kind, the keyboard improvisation course is the fruit of a centuries-old history.

The only one of its kind, the keyboard improvisation course is the fruit of a centuries-old history.