Artist diploma - Interpretation Creation (RIM) - 3ème Cycle

Information

  • Name

    Artist diploma - Interpretation Creation (RIM)

  • Cycle

    3rd Cycle

  • Course's number of years

    2 years

  • Delivered diploma

    Artist diploma - Interpretation Creation

  • Course objectives and content

    Area 1: Practice

    1.01 Creation

    Development of one's own creative universe.

    In-depth study of the role of the computer music producer in relation to the composer.

    Consolidation of techniques related to creation.

    1.02 Accompanying performers

    In-depth study of the role of the computer music producer, in all its components (performer, technician, resource, etc.) in relation to other performers.

    Consolidation of techniques related to these repertoires.

    1.03 Introduction to generative improvisation

    Discovery of generative improvisation and reflection on this practice in relation to 20th and 21st century repertoires and electroacoustic and mixed music.

    Area 2: Knowledge and research

    2.01 Knowledge of 20th and 21st century repertoires

    Through practice and theory (workshops, lectures, etc.), development of a historically informed interpretative approach to these repertoires, through a critical approach to sources and performance traditions.

    2.02 Real-time and deferred broadcasting techniques and tools

    Mastery of real-time and deferred broadcasting techniques and tools.

    2.03 Knowledge of the contemporary music ecosystem

    Knowledge of dissemination networks and players in the field.

    2.04 Research

    Participation in the development and writing of a joint research project.

    Area 3: Transmission

    3.01 Introduction to mediation

    Raising awareness of mediation tools and issues specific to the repertoires of the 20th and 21st centuries and to new works.

    3.02 Mediation project

    Implementation of a mediation project, in groups and semi-autonomously.

    Axis 4: Professionalisation

    4.01 Knowledge of the creative process

    Regular work with composers and players in the field.
    Creation and dissemination of works.

    4.02 Knowledge of stage professions, project design and production set-up

    Workshops with guest speakers and the Conservatoire's resource departments.

    4.03 Work placement

    Completion of a work placement in an institution or company, in line with the teaching objectives of the course.

  • Number of complementary disciplines to validate

    0

Disciplines

  • Computer music production: development, creation, repertoire (Discipline principale - 0 ECTS)

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  • 360° video, 3D audio, new media (Discipline principale - 0 ECTS)

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  • Interfaces and design (Discipline principale - 0 ECTS)

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  • Chamber music (3rd cycle) (Discipline principale - 0 ECTS)

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  • NEXT set (Discipline principale - 0 ECTS)

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  • Introduction to generative improvisation (3rd cycle) (Discipline complémentaire imposée - 0 ECTS)

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  • Critical approaches to interpretation (Discipline complémentaire imposée - 0 ECTS)

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  • Professionalisation of the interpreter (Discipline complémentaire imposée - 0 ECTS)

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  • Work placement (3rd cycle) (Discipline complémentaire imposée - 0 ECTS)

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  • Creative research project (Discipline complémentaire imposée - 0 ECTS)

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  • Promoting contemporary repertoires and new works (Discipline complémentaire imposée - 0 ECTS)

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Entrance exam

Artist diploma - Interpretation Creation (RIM)

Opening date for registration :  01 April 2024

Closing date for registration :  15 May 2024

Description :

Please note: this competition is aimed at candidates wishing to enrol on the Computer Music Producer course. For performers, see the "Artist Diploma - Interprétation Création" competition.

This competition is open to candidates who hold a2nd cycle diploma from a French or foreign higher music education establishment.

Pre-selection

Before the deadline(3 June 2024), the candidate must send a dossier including :

  1. a set of videos including a free programme of mixed works dating from after 1945, lasting between 10 and 15 minutes, which he or she has performed and produced during the two years preceding the competition;
  2. extracts from publications, articles or personal research work produced during the two years preceding the competition;
  3. a curriculum vitae ;
  4. a letter of motivation

In the event of insufficient applications, the Conservatoire reserves the right to extend the deadline for submission.

Admission (September)

  1. a repertoire test
  2. a 20-minute interview, in French or English, focusing on :
    • a critical review of the repertoire test ;
    • previous career ;
    • motivation
    • career plans
    • ability to work as part of a group.

Description of the repertoire test

After pre-selection, eligible candidates receive the score and instructions for a work of mixed music.
The scores, notes and technical data sheets for the equipment provided for the test are sent to each candidate before 15 July.
During the test, candidates are asked to perform the work and lead the work session with the other performers. The session may be held in French and/or English.

Note: it is possible to finance your studies on this course via professional training.

Maximum age : 30