Artist diploma - Interpretation Creation - 3ème Cycle

Information

  • Name

    Artist diploma - Interpretation Creation

  • Cycle

    3rd Cycle

  • Course's number of years

    2 years

  • Delivered diploma

    Artist diploma - Interpretation Creation

  • Course objectives and content

    Theme 1: Practice

    1.01 Solo practice

    In-depth study of 20th and 21st century repertoires for soloists, creation of new works.

    Consolidation of instrumental techniques related to these repertoires.

    1.02 Chamber music practice

    In-depth study of 20th and 21st century repertoire for non-directed ensemble, creation of works.

    1.03 Conducted ensemble music practice

    In-depth study of 20th and 21st century conducted ensemble repertoire, creation of works.

    1.04 Performance of electroacoustic and mixed repertoire

    Work on the electroacoustic and mixed repertoires, in conjunction with the Métiers du son department and the Audiovisual Department.

    Experimentation and creation within the facilities of the Conservatoire and its partners.

    1.05 Introduction to generative improvisation

    Discovery of generative improvisation and reflection on this practice in relation to 20th and 21st century repertoires and electroacoustic and mixed music.

    Area 2: Knowledge and research

    2.01 Knowledge of 20th and 21st century repertoires

    Through practice and theory (workshops, lectures, etc.), development of a historically informed interpretative approach to these repertoires, through a critical approach to sources and performance traditions.

    2.02 Interfaces and creation

    Introduction to technologies in order to facilitate dialogue between computer music producers and performers and to empower the latter with regard to technological tools.

    2.03 Knowledge of the contemporary music ecosystem

    Knowledge of distribution networks and players in the field.

    2.04 Research

    Participation in the development and writing of a joint research project.

    Area 3: Transmission

    3.01 Introduction to mediation

    Raising awareness of mediation tools and issues specific to the repertoires of the 20th and 21st centuries and to new works.

    3.02 Mediation project

    Implementation of a mediation project, in groups and semi-autonomously.

    Axis 4: Professionalisation

    4.01 Knowledge of the creative process

    Regular work with composers and players in the field.
    Creation and dissemination of works.

    4.02 Knowledge of stage professions, project design and production set-up

    Workshops with guest speakers and the Conservatoire's resource departments.

    4.03 Preparation for competitions and auditions

    Work sessions and mock competitions.

  • Number of complementary disciplines to validate

    0

Disciplines

  • Instrument (3rd cycle) (Discipline principale - 0 ECTS)

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  • Chamber music (3rd cycle) (Discipline principale - 0 ECTS)

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  • NEXT set (Discipline principale - 0 ECTS)

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  • Introduction to generative improvisation (3rd cycle) (Discipline complémentaire imposée - 0 ECTS)

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  • Critical approaches to interpretation (Discipline complémentaire imposée - 0 ECTS)

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  • Professionalisation of the interpreter (Discipline complémentaire imposée - 0 ECTS)

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  • Interfaces and design (Discipline complémentaire imposée - 0 ECTS)

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  • Creative research project (Discipline complémentaire imposée - 0 ECTS)

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  • Promoting contemporary repertoires and new works (Discipline complémentaire imposée - 0 ECTS)

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Entrance exam

Artist diploma - Interpretation Creation

Opening date for registration :  01 April 2026

Closing date for registration :  15 May 2026

Exam dates : Présélection sur vidéo : mai-1er juin 2026. Admission au CNSMDP : début septembre 2026

Description :

Important: Non-EU candidates must apply for a short-stay “competition” visa in order to take part in the entrance examinations. If successful, this visa will then allow you to apply for a student visa. You should not apply for a tourist visa. More information here

 

Visa

Non-EU candidates must apply for a short-stay “competition” visa in order to take part in the entrance examinations. If successful, this visa will then allow you to apply for a student visa. You should not apply for a tourist visa. More information here

 

Diploma requirement

This audition is open to candidates who hold a master's degree from a higher music education institution.

 

Preselection

Applicants must submit, before the deadline (June 1, 2026), a set of videos including the following programme*:

  1. a free programme of works dating from before 1945, lasting between 10 and 15 minutes ;
  2. a free programme of works dating from after 1945, with or without electronics, lasting between 10 and 15 minutes, including a work or excerpt from a work to be chosen from a compulsory list (the list will be disclosed before February).

* for percussion: a 30-minute programme from the set list or of similar difficulty (see list).

 

Candidates must also send a portfolio including :

  1. a curriculum vitae ;
  2. a letter of motivation.

If the number of applications is insufficient, the Conservatoire reserves the right to extend the submission deadline.

Candidates may submit pre-existing videos.
Instructions for submitting the dossier will be sent after payment of the registration fee.

 

Admission (September)

  1. a semi-directed collective examination (30 minutes);
  2. performance of a work or excerpt from a work of your choice, composed after 1950, without electronics (between 7 and 10 minutes). Solo works are recommended;
  3. an orchestral excerpt examination (max. 10 minutes);
  4. a 15-minute interview, in French or English, covering:
    • critical feedback on the collective examination;
    • academic and professional background;
    • motivation;
    • professional project;
    • ability to work within a collective.

 

Description of the semi-directed collective examination

Candidates are divided into groups of about ten and take part in a half-hour improvisation session, semi-directed by a Conservatoire teacher.

The jury observes the interactions between candidates, their ability to make musically relevant proposals, their creativity, and their imagination when facing the challenges posed.

Description of the orchestral line test

Each candidate is placed in isolation for 10 minutes with a required orchestral excerpt, drawn from the 20th- or 21st-century repertoire.

At the end of this preparation, the candidate plays the excerpt once, then is asked to repeat it while following the indications of a jury member.

For singers, this examination may instead be based on an excerpt from a solo or chamber work of the 20th or 21st century.

 

For the repertoire examination, candidates may be accompanied by musicians of their choice. The Conservatoire does not provide accompanists.

Maximum age : 30