Artist diploma - Interpretation Creation - 3ème Cycle

Information

  • Name

    Artist diploma - Interpretation Creation

  • Cycle

    3rd Cycle

  • Course's number of years

    2 years

  • Delivered diploma

    Artist diploma - Interpretation Creation

  • Course objectives and content

    Theme 1: Practice

    1.01 Solo practice

    In-depth study of 20th and 21st century repertoires for soloists, creation of new works.

    Consolidation of instrumental techniques related to these repertoires.

    1.02 Chamber music practice

    In-depth study of 20th and 21st century repertoire for non-directed ensemble, creation of works.

    1.03 Conducted ensemble music practice

    In-depth study of 20th and 21st century conducted ensemble repertoire, creation of works.

    1.04 Performance of electroacoustic and mixed repertoire

    Work on the electroacoustic and mixed repertoires, in conjunction with the Métiers du son department and the Audiovisual Department.

    Experimentation and creation within the facilities of the Conservatoire and its partners.

    1.05 Introduction to generative improvisation

    Discovery of generative improvisation and reflection on this practice in relation to 20th and 21st century repertoires and electroacoustic and mixed music.

    Area 2: Knowledge and research

    2.01 Knowledge of 20th and 21st century repertoires

    Through practice and theory (workshops, lectures, etc.), development of a historically informed interpretative approach to these repertoires, through a critical approach to sources and performance traditions.

    2.02 Interfaces and creation

    Introduction to technologies in order to facilitate dialogue between computer music producers and performers and to empower the latter with regard to technological tools.

    2.03 Knowledge of the contemporary music ecosystem

    Knowledge of distribution networks and players in the field.

    2.04 Research

    Participation in the development and writing of a joint research project.

    Area 3: Transmission

    3.01 Introduction to mediation

    Raising awareness of mediation tools and issues specific to the repertoires of the 20th and 21st centuries and to new works.

    3.02 Mediation project

    Implementation of a mediation project, in groups and semi-autonomously.

    Axis 4: Professionalisation

    4.01 Knowledge of the creative process

    Regular work with composers and players in the field.
    Creation and dissemination of works.

    4.02 Knowledge of stage professions, project design and production set-up

    Workshops with guest speakers and the Conservatoire's resource departments.

    4.03 Preparation for competitions and auditions

    Work sessions and mock competitions.

  • Number of complementary disciplines to validate

    0

Disciplines

  • Instrument (3rd cycle) (Discipline principale - 0 ECTS)

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  • Chamber music (3rd cycle) (Discipline principale - 0 ECTS)

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  • NEXT set (Discipline principale - 0 ECTS)

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  • Introduction to generative improvisation (3rd cycle) (Discipline complémentaire imposée - 0 ECTS)

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  • Critical approaches to interpretation (Discipline complémentaire imposée - 0 ECTS)

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  • Professionalisation of the interpreter (Discipline complémentaire imposée - 0 ECTS)

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  • Interfaces and design (Discipline complémentaire imposée - 0 ECTS)

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  • Creative research project (Discipline complémentaire imposée - 0 ECTS)

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  • Promoting contemporary repertoires and new works (Discipline complémentaire imposée - 0 ECTS)

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Entrance exam

Artist diploma - Interpretation Creation

Opening date for registration :  01 April 2024

Closing date for registration :  27 May 2024

Description :

This competition is open to candidates who hold a2nd cycle diploma from a French or foreign higher musical education establishment in the instrument entered.

Pre-selection

Candidates must send a set of videos including the following programme* before the deadline:

  1. a free programme of works dating from before 1945, lasting between 10 and 15 minutes ;
  2. a free programme of works dating from after 1945, with or without electronics, lasting between 10 and 15 minutes, including a work or excerpt from a work to be chosen from a compulsory list (see list).

* for percussion: a 30-minute programme from the set list or of similar difficulty (see list).

Candidates must also send a portfolio including :

  1. a curriculum vitae ;
  2. a letter of motivation.

In the event of insufficient applications, the Conservatoire reserves the right to extend the deadline for submitting videos.

Candidates may submit pre-existing videos.
Instructions for sending the application will be sent to candidates after payment of the registration fee.

Admission (September)

  1. a semi-structured group test (30 minutes);
  2. performance of a work or excerpt from a work of your choice, composed after 1950, without electronics (between 7 and 10 minutes);
  3. an orchestral section (10 minutes maximum);
  4. a 15-minute interview, in French or English, focusing on :
    • a critical review of the group test
    • previous career ;
    • motivation
    • career plans
    • ability to work as part of a team.

Description of the semi-directed group test

Candidates are divided into groups of around ten and take part in a half-hour session of improvisation, semi-directed by a teacher from the Conservatoire.

The jury observes the interaction between the candidates, their ability to come up with relevant musical proposals, their creativity and imagination when faced with the problems posed...

Description of the orchestral line test

Each candidate is placed in a box for 10 minutes with a compulsory orchestral work from the 20th or 21st century repertoire.

At the end of the dressing room, the candidate plays the orchestral piece once and is then invited to play it again, following the instructions of one of the members of the jury.

For male and female candidates, this round may be based on an extract from the solo or chamber music repertoire of the 20th or 21st century.

For round 2, candidates may be accompanied by a musician of their choice. The Conservatoire does not provide an accompanist.

Note: it is possible to finance your studies on this course via professional training.

Maximum age : 30