Filmed music: Video
INFORMATIONS
-
Objectives and content
Learn how to capture and produce a short film about live music.
master the image post-production chain.
Know how to interact and communicate in the interests of a project with the entire video team (director, assistant or musical advisor, picture editor, director of photography) and the production team (planning, forecasting technical production resources).
Expert knowledge of data exchange formats, picture editing methods, editing session conformation tools and current standards imposed by broadcasters.
Content
After a brief theoretical approach which will present the context in which today's filmed music projects are produced (resources, human and technical organisation, production constraints, etc.) and which will introduce the difficulties and challenges of working together to make a music recording a success, the course will be based on a series of exercises which are highly representative of the difficulties involved in producing a filmed music project. These exercises, taken from complex, real-life projects, will cover all the stages involved in producing a project.
Editing: presentation of the different methods of post-production, particularly when faced with the problem of synchronisation with the image. Presentation of collaborative work between a picture editor and a sound editor.
Presentation of the different methods of exchanging data between professionals.
Presentation of an organisation for sharing data associated with the editing stages.
-
Entrance terms and conditions
FSMS 3-4
-
Assessment terms and conditions
Compulsory submission of a project: making a short film about filmed music (recording or documentary). Validation of the project by the FSMS teaching team or validation as part of a presentation of the project for the "Production Projects/Research Project" certificate.
-
Erasmus
No